Silverstein – Out Of This World (episode 2) review
In an attempt to bring you the fastest written review in history, fuelled by gig adrenaline and a singular Carlsberg, here is the lowdown on Silverstein’s Out Of This World, episode 2.
In an attempt to bring you the fastest written review in history, fuelled by gig adrenaline and a singular Carlsberg, here is the lowdown on Silverstein’s Out Of This World, episode 2.
Lonely The Brave’s new record The Hope List is a very pleasing listen, acting as my introduction to a very talented outfit at a perfect point; the band are reborn with new vocalist Jack Bennett and a new sense of drive and direction.
Silverstein have brought the live experience to your living room with their three-part concert series Out Of This World. However, the band are completely aware that it’s not the same, so they’ve spiced it up a little.
There’s no doubt Cheap Meat can write fun, catchy songs you’d expect from the likes of Weezer and Bowling For Soup. Their new record, aptly titled People Are The Worst, exemplifies this brilliantly.
With this brand new, self-titled full length, Young Culture have issued one of the most diverse and challenging records I’ve heard from the alt-rock scene in quite some time.
If a band changes their sound, it’s always called “evolving”. However, evolution is a species adapting to its surroundings and becoming better at surviving. What do we call it when a band changes and the quality has regressed?
I had the pleasure of reviewing Sleeping With Sirens latest outing How It Feels To Be Lost before it dropped last year. Now I have the pleasure of reviewing the deluxe edition, which affords me the opportunity to look at the album retrospectively.
Calva Louise have amassed themselves tonnes of praise, high profile fans and a decent following. However, new EP Popurri is nowhere near as eclectic or unique as people would have you believe.
If All Time Low’s Nothing Personal got criticism for being too pop and not punk enough, All Distortions Are Intentional should definitely get the same treatment.
Cope released their debut album The Shock Doctrine on 22nd of May. A hardcore assault designed to scream (literally) about the world's ills, Cope intend to draw attention to the crumbling state of the modern world. Fitting, really, given recent events.
Palaye Royale made a name for themselves with debut full length Boom Boom Room (Side A) which, despite being underwhelming in my opinion, had its moments. Boom Boom Room (Side B) legitimately felt like it was indeed a B-side album, yet seemed to fare well with fans. Two years on, they return with The Bastards, their third outing, which has been promoted for a long while with a slew of singles.
Asking Alexandria had quite a lot to live up to with their new album Like A House On Fire. After 2017's self titled saw both the return of Danny Worsnop and a drastic change in sound, the band's fans were divided.
It would be dishonest to say I've been a fan of Coast To Coast, but I have been aware of the band for some time. Having turned down the chance to review their 2018 EP 'The World Doesn't Work', I hadn't given them much of a thought until new EP 'Sovereign' landed in my inbox.
While I appreciate the sentiment in 'This Land Is Your Landfill', the new full length from The Homeless Gospel Choir, there's very little musical value in these thirty four minutes.
It seems these days that The Used are happy to push musical boundaries rather than shoot for a comeback album. After the (unwarranted) flop of 2017 double album outing The Canyon, a lot of fans seemed to give up on McCracken and co.. Two new singles 'Blow Me' and 'Paradise Lost, a poem by John Milton' reinstated some people's love for the band, but the people who will truly adore this masterpiece are those who aren't looking for an early 2000's sounding The Used, but those who are looking to see the band take on board everything they've learned from their previous seven outings.