VRSTY have played around in the genre-bending arena with huge new album Welcome Home, to varying results.
Underoath return with Voyeurist, the successor to their huge comeback record Erase Me – and this record will please those dissatisfied with the last outing. Self-produced for the first time in their career, this is Underoath exactly as they envision themselves.
I once scrolled on Instagram through a Wage War fan discussion. They had found little to enjoy from their (very good, if I do say so myself) 2019 outing Pressure, stating “if I listen to Wage War, I want it to be heavy”. They’ll be happy with Manic, for the most part.
When I first heard of Real Friends I was fresh to pop punk. I liked All Time Low, As It Is, Green Day and My Chemical Romance. I found their first two albums to be too brash and bordering on unlistenable. By the time Composure dropped I’d been to Slam Dunk Festival and, though I still believe their first two records to be poor, that third album really made me fall for them. ‘Stand Steady; is still their best song.
Hawthorne Heights have never really slowed since their inception. Their eighth full length, The Rain Just Follows Me, shows that the band still have a lot to say.
Myles Kennedy seems to have found some miraculous way to straddle his three globetrotting projects: mega-selling Alter Bridge and Slash albums alongside this solo project. Beyond a shadow of a doubt he is the most notable vocalist in rock today, and for good reason. Those vocals combine with his own delectable guitarwork to make solo album number two a welcome addition to his ample discography.
The Spill Canvas have made a comeback into what is a very different music world, but new album Conduit sounds like they don’t give a damn.
Waking up in a field full of alpacas with an acoustic guitar after being kidnapped by aliens and forced to play Discovering The Waterfront front to back – this is where the third and final episode of Silverstein’s Out Of This World virtual concert series kicks off.
In an attempt to bring you the fastest written review in history, fuelled by gig adrenaline and a singular Carlsberg, here is the lowdown on Silverstein’s Out Of This World, episode 2.
Kid Kapichi’s debut album comes to us this week, titled This Time Next Year. It owes it’s name in part because that’s what we’re all thinking about right now. The current pandemic is central to the album in many ways. The record was produced by the band themselves to get around lockdowns, it’s lyrics grappling with the alternate reality we’ve all found ourselves in.
Lonely The Brave’s new record The Hope List is a very pleasing listen, acting as my introduction to a very talented outfit at a perfect point; the band are reborn with new vocalist Jack Bennett and a new sense of drive and direction.
Silverstein have brought the live experience to your living room with their three-part concert series Out Of This World. However, the band are completely aware that it’s not the same, so they’ve spiced it up a little.
There’s no doubt Cheap Meat can write fun, catchy songs you’d expect from the likes of Weezer and Bowling For Soup. Their new record, aptly titled People Are The Worst, exemplifies this brilliantly.
If a band changes their sound, it’s always called “evolving”. However, evolution is a species adapting to its surroundings and becoming better at surviving. What do we call it when a band changes and the quality has regressed?
I had the pleasure of reviewing Sleeping With Sirens latest outing How It Feels To Be Lost before it dropped last year. Now I have the pleasure of reviewing the deluxe edition, which affords me the opportunity to look at the album retrospectively.