The Spill Canvas have made a comeback into what is a very different music world, but new album Conduit sounds like they don’t give a damn.
Waking up in a field full of alpacas with an acoustic guitar after being kidnapped by aliens and forced to play Discovering The Waterfront front to back – this is where the third and final episode of Silverstein’s Out Of This World virtual concert series kicks off.
In an attempt to bring you the fastest written review in history, fuelled by gig adrenaline and a singular Carlsberg, here is the lowdown on Silverstein’s Out Of This World, episode 2.
Kid Kapichi’s debut album comes to us this week, titled This Time Next Year. It owes it’s name in part because that’s what we’re all thinking about right now. The current pandemic is central to the album in many ways. The record was produced by the band themselves to get around lockdowns, it’s lyrics grappling with the alternate reality we’ve all found ourselves in.
Lonely The Brave’s new record The Hope List is a very pleasing listen, acting as my introduction to a very talented outfit at a perfect point; the band are reborn with new vocalist Jack Bennett and a new sense of drive and direction.
Silverstein have brought the live experience to your living room with their three-part concert series Out Of This World. However, the band are completely aware that it’s not the same, so they’ve spiced it up a little.
There’s no doubt Cheap Meat can write fun, catchy songs you’d expect from the likes of Weezer and Bowling For Soup. Their new record, aptly titled People Are The Worst, exemplifies this brilliantly.
If a band changes their sound, it’s always called “evolving”. However, evolution is a species adapting to its surroundings and becoming better at surviving. What do we call it when a band changes and the quality has regressed?
I had the pleasure of reviewing Sleeping With Sirens latest outing How It Feels To Be Lost before it dropped last year. Now I have the pleasure of reviewing the deluxe edition, which affords me the opportunity to look at the album retrospectively.
This album had some bleak and often melancholic moments but despite this there are slight glimpses of hope to be found within all the dark lyrical content which is exactly what we need in the world today - to find hope despite the darkness!
If All Time Low’s Nothing Personal got criticism for being too pop and not punk enough, All Distortions Are Intentional should definitely get the same treatment.
In their first 5 years as a band, Creeper crafted the perfect path, releasing an EP each year for three years, touring relentlessly and then putting out their debut album Eternity In Your Arms. It felt like they were never far away from our speakers and stages and that enabled them to grow hugely in that time. Oh yeah, and the outstanding goth-punk-opera rock songs helped a bit too. Then on 1st November 2018 they played their final show of the tour and announced the end. Then there followed a year of radio silence. Anyone familiar with David Bowie would recognize this as the shedding of a skin, the entry to the cocoon, and, exactly one year after that fateful show, they reappeared with a single and shortly followed it up with the announcement of Sex, Death & The Infinite Void. Now, following a lengthy delay due to COVID-19, the release of one of the most hotly anticipated albums in recent years in upon us.
London trio Black Orchid Empire Release Semaphore has been touring the UK extensively appearing at Download, Standon Calling and Camden Rocks and on June 12th release their latest creation, Semaphore. Black Orchid Empire have supported Hed p.e, Ravenface and Skunk Anansie around the U.K. Skin, the front person of Skunk Anansie said about the trio’s music “Beautiful melodies coupled with tear-your-face-off riffs. Bright fresh new stars”.
Palaye Royale made a name for themselves with debut full length Boom Boom Room (Side A) which, despite being underwhelming in my opinion, had its moments. Boom Boom Room (Side B) legitimately felt like it was indeed a B-side album, yet seemed to fare well with fans. Two years on, they return with The Bastards, their third outing, which has been promoted for a long while with a slew of singles.
Asking Alexandria had quite a lot to live up to with their new album Like A House On Fire. After 2017's self titled saw both the return of Danny Worsnop and a drastic change in sound, the band's fans were divided.