Hardcore Music GENRE ARCHIVES
PVRIS live at The Academy, Manchester
PVRIS returned to the UK with support from Charlotte Sands and Maggie Lindemann. See what Vicki thought when she went to opening night in Manchester.
Armed For Apocalypse – Ritual Violence
Armed For Apocalypse's third album Ritual Violence is out now!
Underoath – ‘Voyeurist’
Underoath return with Voyeurist, the successor to their huge comeback record Erase Me – and this record will please those dissatisfied with the last outing. Self-produced for the first time in their career, this is Underoath exactly as they envision themselves.
Wage War ‘Manic’ album review
I once scrolled on Instagram through a Wage War fan discussion. They had found little to enjoy from their (very good, if I do say so myself) 2019 outing Pressure, stating “if I listen to Wage War, I want it to be heavy”. They’ll be happy with Manic, for the most part.
Hawthorne Heights – The Rain Just Follows Me
Hawthorne Heights have never really slowed since their inception. Their eighth full length, The Rain Just Follows Me, shows that the band still have a lot to say.
Silverstein Out Of This World (episode 3: the conclusion) review
Waking up in a field full of alpacas with an acoustic guitar after being kidnapped by aliens and forced to play Discovering The Waterfront front to back – this is where the third and final episode of Silverstein’s Out Of This World virtual concert series kicks off.
Silverstein – Out Of This World (episode 2) review
In an attempt to bring you the fastest written review in history, fuelled by gig adrenaline and a singular Carlsberg, here is the lowdown on Silverstein’s Out Of This World, episode 2.
Silverstein – Out Of This World (Episode 1) review
Silverstein have brought the live experience to your living room with their three-part concert series Out Of This World. However, the band are completely aware that it’s not the same, so they’ve spiced it up a little.
COPE ‘The Shock Doctrine’ album review
Cope released their debut album The Shock Doctrine on 22nd of May. A hardcore assault designed to scream (literally) about the world's ills, Cope intend to draw attention to the crumbling state of the modern world. Fitting, really, given recent events.
Review: ‘The Bastards’ by Palaye Royale
Palaye Royale made a name for themselves with debut full length Boom Boom Room (Side A) which, despite being underwhelming in my opinion, had its moments. Boom Boom Room (Side B) legitimately felt like it was indeed a B-side album, yet seemed to fare well with fans. Two years on, they return with The Bastards, their third outing, which has been promoted for a long while with a slew of singles.
The Used ‘Heartwork’ album review
It seems these days that The Used are happy to push musical boundaries rather than shoot for a comeback album. After the (unwarranted) flop of 2017 double album outing The Canyon, a lot of fans seemed to give up on McCracken and co.. Two new singles 'Blow Me' and 'Paradise Lost, a poem by John Milton' reinstated some people's love for the band, but the people who will truly adore this masterpiece are those who aren't looking for an early 2000's sounding The Used, but those who are looking to see the band take on board everything they've learned from their previous seven outings.
Code Orange – Underneath
Three years ago, Code Orange put the entire scene on red alert with their third album Forever. It was seen as a game changer by many, and it is no coincidence that since that album, the hardcore genre has been at a creative peak. Now, following a long recording process that saw the band cancel an appearance at Bloodstock Festival, it’s time to see if the follow up lives up to it’s predecessor.
Review: Silverstein’s ‘A Beautiful Place To Drown’
After twenty years you'd expect the fusion of pop punk and post-hardcore that is Silverstein's trademark to have grown tired. That's not the case, though. In fact, it's quite the opposite.
‘Immortal’ by Lorna Shore album review
Lorna Shore have built themselves into the symphonic deathcore act they are today by extensive touring alongside the likes of Chelsea Grin, frequent releases, and a commitment to their genre. New album ‘Immortal’ proves that.