It seems these days that The Used are happy to push musical boundaries rather than shoot for a comeback album. After the (unwarranted) flop of 2017 double album outing The Canyon, a lot of fans seemed to give up on McCracken and co.. Two new singles 'Blow Me' and 'Paradise Lost, a poem by John Milton' reinstated some people's love for the band, but the people who will truly adore this masterpiece are those who aren't looking for an early 2000's sounding The Used, but those who are looking to see the band take on board everything they've learned from their previous seven outings.
After twenty years you'd expect the fusion of pop punk and post-hardcore that is Silverstein's trademark to have grown tired. That's not the case, though. In fact, it's quite the opposite.
Wage War, DED and Thornhill at the Key Club in Leeds was hands down the heaviest gig I’ve put my name down for. That being said, I concluded it was an experience I had to have.
Counterparts new record has finally landed; another serving of in your face, aggressive hardcore tunes. 'Nothing Left To Love' is there sixth outing, and sees the band harnessing unashamedly their signature sound, with only mild deviations.
Dream State's debut record 'Primrose Path' presents the band harnessing a very cinematic rock sound, grand arrangements creating a cacophony of sound and emotion. Opener 'Made Up Smile' exemplifies this sound, building up to crazy and catchy climactic choruses, and even sprinkling some wonderful little screams in there.
Knowing full well I was set for a loaded night of pop punk, at times with a sprig of hardcore added in, I decided the only worthy shirt for the gig was my As It Is one. Then, in classic broke pop punk fashion, I used the day ticket from my bus journey earlier to get to Leeds, thus not spending extra cash on the train. 20 chicken nuggets down, I strolled to the venue, prepared for a night of mosh pit observing/avoiding.
The year is 2019 and, after much promise, Sleeping With Sirens have returned with their eagerly anticipated sixth studio effort. Following on from the poppier offerings of 2017's major label record 'Gossip', the band promised some heavier tunes more akin to 'Let's Cheers To This'.
Mallory Knox return with their eagerly anticipated forth album and, in a brave move, it's self-titled. When it comes to heightening expectations, that's one thing that does it. Self-titling implies that this record, these songs, are definitive of the band.
Let's not beat about the bush here, The St Pierre Snake Invasion have one of those band names you just don't take seriously, like Chunk! No, Captain Chunk!. The fact is, Chunk and most other bands who have made it anywhere despite having a ridiculous name can back themselves up with good music. With the new record from The St Pierre Snake Invasion, however, the question lies not in the name, but in the music.
As the campsite opens for five day campers, we asked one of our senior writers and festival attendee Tom Butterworth to give us his low-down of the ones to watch.
With the release of All At Your Mercy and Ultra music videos, we spoke to Anders C from Pleiades to find out what went on.