VRSTY have played around in the genre-bending arena with huge new album Welcome Home, to varying results.
Underoath return with Voyeurist, the successor to their huge comeback record Erase Me – and this record will please those dissatisfied with the last outing. Self-produced for the first time in their career, this is Underoath exactly as they envision themselves.
Hawthorne Heights have never really slowed since their inception. Their eighth full length, The Rain Just Follows Me, shows that the band still have a lot to say.
Waking up in a field full of alpacas with an acoustic guitar after being kidnapped by aliens and forced to play Discovering The Waterfront front to back – this is where the third and final episode of Silverstein’s Out Of This World virtual concert series kicks off.
In an attempt to bring you the fastest written review in history, fuelled by gig adrenaline and a singular Carlsberg, here is the lowdown on Silverstein’s Out Of This World, episode 2.
Silverstein have brought the live experience to your living room with their three-part concert series Out Of This World. However, the band are completely aware that it’s not the same, so they’ve spiced it up a little.
I had the pleasure of reviewing Sleeping With Sirens latest outing How It Feels To Be Lost before it dropped last year. Now I have the pleasure of reviewing the deluxe edition, which affords me the opportunity to look at the album retrospectively.
Had enough of exercising in your front room to YouTube PE instructors? Yeah? Good, get some music down you with post-hardcore ManDown and their debut EP We Want Blood. Coming out of Farnborough, ManDown is comprised of guitarist/vocalist Iain Turner and drummer Lawrence Arnold, who have been friends since childhood. Influenced by the sound and attitude of bands like Rage Against the Machine, We Are 68, Black Peaks, The Prodigy, and Hundred Reasons. Also joining forces previously with Welcome the Howling Tones and touring with the likes of Nick Olivieri, Breed77 and Godsized have built them to this moment. Their debut EP.
It seems these days that The Used are happy to push musical boundaries rather than shoot for a comeback album. After the (unwarranted) flop of 2017 double album outing The Canyon, a lot of fans seemed to give up on McCracken and co.. Two new singles 'Blow Me' and 'Paradise Lost, a poem by John Milton' reinstated some people's love for the band, but the people who will truly adore this masterpiece are those who aren't looking for an early 2000's sounding The Used, but those who are looking to see the band take on board everything they've learned from their previous seven outings.
After twenty years you'd expect the fusion of pop punk and post-hardcore that is Silverstein's trademark to have grown tired. That's not the case, though. In fact, it's quite the opposite.
Wage War, DED and Thornhill at the Key Club in Leeds was hands down the heaviest gig I’ve put my name down for. That being said, I concluded it was an experience I had to have.
Counterparts new record has finally landed; another serving of in your face, aggressive hardcore tunes. 'Nothing Left To Love' is there sixth outing, and sees the band harnessing unashamedly their signature sound, with only mild deviations.
Dream State's debut record 'Primrose Path' presents the band harnessing a very cinematic rock sound, grand arrangements creating a cacophony of sound and emotion. Opener 'Made Up Smile' exemplifies this sound, building up to crazy and catchy climactic choruses, and even sprinkling some wonderful little screams in there.
Knowing full well I was set for a loaded night of pop punk, at times with a sprig of hardcore added in, I decided the only worthy shirt for the gig was my As It Is one. Then, in classic broke pop punk fashion, I used the day ticket from my bus journey earlier to get to Leeds, thus not spending extra cash on the train. 20 chicken nuggets down, I strolled to the venue, prepared for a night of mosh pit observing/avoiding.
The year is 2019 and, after much promise, Sleeping With Sirens have returned with their eagerly anticipated sixth studio effort. Following on from the poppier offerings of 2017's major label record 'Gossip', the band promised some heavier tunes more akin to 'Let's Cheers To This'.