Camp Cope announce UK tour
Camp Cope will be bringing their shows to the UK this September!
Punk Music GENRE ARCHIVES
Sunsleeper – You Can Miss Something & Not Want It Back
Sunsleeper's new album 'You Can Miss Something & Not Want It Back' is a bold statement, both in title and music. They don't shy away from the emo label, readily embracing their influences on the new record. But the fact is, anything could happen on an emo revival album.
Strange Bones- Blitz Pt 1
Blackpool punks, Strange Bones plan to hit your ears with several EPs over the course of 2019. Blitz Pt 1 is the first of these, recorded by the four piece at their home studio and mixed by Thomas Mitchener. The band have a solid punk core, evident not only from their DIY recording but from their sound too.
Slam Dunk 2019 Awards – Leeds
We bring you another festival awards from Slam Dunk!
Fever 333 announce UK demonstrations for November
Fever 333 will be bringing their protest punk back to the UK throughout November.
Less Than Jake and Goldfinger have been added to the Fueling the Fire tour
Each year, Fireball puts on one hell of a line-up for its Fueling the Fire tour. Well now, we have the headliners for 2019's run and they are incredible!
Weatherstate – Born A Cynic
It seems these days I write the word 'punk' in practically every piece I write, be that punk of the pop variety, of the hardcore variety, or of the not very good variety. 'Born A Cynic', Weatherstate's first full length, ticks the boxes of the first two.
Slam Dunk North 2019 Review!
Temple Newsam, Leeds, 25th May 2019: Never will you find a more wretched hive of snapbacks and Vans. As the fans begin entering the festival grounds, the day is bright and warm... sadly it won’t last, but rain, thunder or snow wouldn’t have kept the legions away from Leeds today.
Broadening Horizons – How Slam Dunk is appealing to more fans than ever.
Slam Dunk has long been seen as a predominantly pop-punk festival. Although they have often featured a smattering of heavier or more abrasive bands, much of the higher reaches of the festival bills have been dominated by relatively inoffensive bands. In the last two years we have seen a rise in truly interesting aggressive music with the likes of Employed To Serve winning Kerrang!’s album of the year award last year and groups such as Code Orange making a splash on the global stage with a Grammy nomination. As Slam Dunk has manoeuvred to keep pace with this scene change, so has it looked to widen it's vision to further encompass a generation of fans who gazed longingly over The Pond at Vans Warped Tour in the late 1990s.
The Frights to support Taking Back Sunday
For Taking Back Sunday’s run of live shows next month, they will be supported by The Frights
Download Festival 2019 ones to watch part 1
It's now less than a month until Download Festival 2019! We scour through the bands in a two part series of our ones to watch! First up, I (deputy editor Lizi) take you through 10 of the artists I'm most looking forward to seeing
Phoxjaw and The King Is Dead at Satan’s Hollow, Manchester
It is a terrible crime that both of these bands find themselves playing a half empty small venue in Manchester on a Wednesday night, as both are perfect examples of new and exciting bands, drawing from the past while striving towards new territory.
Introducing The Hunting Project – the next big thing in the hardcore world
It is my pleasure to finally introduce to you a band called The Hunting Project. I've known these guys for some time, meeting them via my Love It To Death Instagram (Love It To Death is my personal music blog, in case you were wondering) back when they had no music out and were called Grizzly!. How times have changed.
Crows – Silver Tongue
In recent years, there has been an incredible surge in post punk music. From the dark, gothic overtones of a band like Grave Pleasures to the loaded political gunshots of Idles. The wave of 1980s nostalgia that has gripped the world for the last decade has gradually seeped into music and these bands are now coming to the fore. Crows are the latest, and they’re mixing that post-punk sound with a noisy riff driven edge. On the spectrum of this scene they fall somewhere in the middle of the two bands above and that is perhaps the biggest problem with this album.