Slam Dunk 2020 final line-up announcement and stage splits
ITS HERE! The final lineup announcement and stage splits for Slam Dunk 2020!
ITS HERE! The final lineup announcement and stage splits for Slam Dunk 2020!
Dance Gavin Dance will be performing at Slam Dunk and some European headline shows!
They've been to our corner of the world before but never headlined.... until now!
The Used will be performing some headline shows in the UK and Europe later this year!
Slam Dunk Festival has revealed a further set of acts and the full Punk in Drublic stage!
For the first time in its history - Slam Dunk festival is leaving the UK and heading across the sea to France!
Deputy editor Lizi sat down with the lovely Lights at Slam Dunk earlier this year!
Back at Slam Dunk, deputy editor Lizi sat down with The Word Alive frontman Telle Smith for an in-depth chat on a decade of the band, ending a mammoth European tour at Slam Dunk and more.
*FESTIVAL KLAXON* The second festival announcement of the day is the first headliner for Slam Dunk Festival 2020!
We bring you another festival awards from Slam Dunk!
We're bringing our festival awards back! This is where we round up our favourites of a festival into a few categories. First up, deputy editor Lizi gives her opinions on the best parts of Slam Dunk South 2019.
Temple Newsam, Leeds, 25th May 2019: Never will you find a more wretched hive of snapbacks and Vans. As the fans begin entering the festival grounds, the day is bright and warm... sadly it won’t last, but rain, thunder or snow wouldn’t have kept the legions away from Leeds today.
Day two of Slam Dunk 2019 sees us hit Hatfield for the final day of the touring festival. As a regular to the Birmingham date, it was weird heading to an all outdoor version of Slam Dunk. What was weirder but probably the best thing about the festival, was the fact that there were double stages, allowing for clashes to be minimised.
Slam Dunk has long been seen as a predominantly pop-punk festival. Although they have often featured a smattering of heavier or more abrasive bands, much of the higher reaches of the festival bills have been dominated by relatively inoffensive bands. In the last two years we have seen a rise in truly interesting aggressive music with the likes of Employed To Serve winning Kerrang!’s album of the year award last year and groups such as Code Orange making a splash on the global stage with a Grammy nomination. As Slam Dunk has manoeuvred to keep pace with this scene change, so has it looked to widen it's vision to further encompass a generation of fans who gazed longingly over The Pond at Vans Warped Tour in the late 1990s.