Growing from the fertile metal pastures of Texas, Creeping Death are the latest arrivals in a burgeoning old school death metal scene. This is their debut full length album, after 2018s excellent Specter of War EP. This album does not do anything brand new, it doesn’t break any new ground. It does death metal, mixed with a sprinkling of hardcore, and it does it very well.
Gloryhammer at Nottingham Rescue Rooms was an eye-opening gig experience. With support from Beast In Black and Italian metal act Windrose, it was a stacked bill for sure.
Alter Bridge have established themselves in recent years as one of the most formiddable forces in rock. With frontman Myles Kennedy's soaring vocals that even landed him as vocalist for Slash, coupled with grungy and intricate guitars, there's a certain something Alter Bridge have got that other bands lack. The big question is, have they carried it on only new album 'Walk The Sky', which follows my own personal favourite AB full length 'The Last Hero'
Dream State's debut record 'Primrose Path' presents the band harnessing a very cinematic rock sound, grand arrangements creating a cacophony of sound and emotion. Opener 'Made Up Smile' exemplifies this sound, building up to crazy and catchy climactic choruses, and even sprinkling some wonderful little screams in there.
New Jerseys Can’t Swim are back with six-track EP, Foreign Language released via Pure Noise Records. Foreign Language is my first foray into the music of Can’t Swim, I hear previous records Fail You Again and This Too Won’t Pass exploded their fan base around the U.S.
Issues haven't completely shed the skin that is metalcore on new record 'Beautiful Oblivion', but they've certainly moisturised it with some extra glossy melodies that make the record more accessible to people outside of the scene
After a long, hard week in work there is nothing better than letting your hair down with some amazing live music and Issues and Lotus Eater did not disappoint us as we witnessed one of the best gigs of the year.
London-based Swedish Death Candy feel like a band I should have discovered some time ago. The band make their own brand of fuzz drenched desert rock that is, on paper, certainly within my wheelhouse. The band released a self titled debut back in 2017 which, by their own admission, was very much a live/ jam based record. For their new album, Are You Nervous?, the band took a different approach. Songs were brought in more fully formed and arrangements focused in on. The effort certainly seems to have paid off.
Knowing full well I was set for a loaded night of pop punk, at times with a sprig of hardcore added in, I decided the only worthy shirt for the gig was my As It Is one. Then, in classic broke pop punk fashion, I used the day ticket from my bus journey earlier to get to Leeds, thus not spending extra cash on the train. 20 chicken nuggets down, I strolled to the venue, prepared for a night of mosh pit observing/avoiding.
This is the fifth full length release from Polish instrumental post rock trio Tides From Nebula. It sees the band delving into cinematic landscapes of swirling synthesizers and hypnotic rhythms. Instrumental music can be a very tricky thing to pull off, especially one based in such a minimalist sub-genre as post-rock. The ability to keep the listeners attention without a central focal point like a vocalist is challenge enough, without throwing the baby of traditional song structures out with the bath water.
The year is 2019 and, after much promise, Sleeping With Sirens have returned with their eagerly anticipated sixth studio effort. Following on from the poppier offerings of 2017's major label record 'Gossip', the band promised some heavier tunes more akin to 'Let's Cheers To This'.
Formed in 2014 and previously known as Kamikaze Girls are Cultdreams, who in 2017 released their debut record Seafoam which received widespread praise for depicting life with depression and PTSD, whilst shining a light on harmful behaviour, sexual harassment and every-day misogyny in society. Nearly two years away from the studio to tour Seafoam in the UK/EU and across the Atlantic. Guitarist/vocalist Lucinda Livingstone and drummer Conor Dawson release a long-awaited second album, Things That Hurt via Big Scary Monsters.
In 2018, the month of September, day 28th approximately 6pm, upstairs at the Paper Dress Vintage in Hackney, Mare street, I witnessed a three piece band from Brighton called Gender Roles, these musicians consist of drummer Jordan Lilford, guitarist/vocalist Tom Bennett and bassist Jared Tomkins who all met/formed in 2015 at Jordan’s Brighton Pride party. In this thirty-minute set, they aided my tinnitus and enabled the love of music. A year later these punk/garage rockers release their debut record PRANG, it’s here in my grasps and is ready for release on August 30th via Big Scary Monsters. Recorded with producer Ian Sadler at Emeline Studios in Kent over ten days.
Maturity. It is a most tenuous term when applied to music, and particularly when applied to metal. Does maturation mean growth, a successful refining of your sound, cutting back on youthful fire and expanding on those elements that best suit your band, as Metallica so masterfully achieved between …And Justice For All and The Black Album? Or does it involve the shaving off of any edges, polishing everything to an unbearable sheen and the beginning of a managed decline into metal mediocrity.
It was that time of year again, Reading Festival rolls into the Berkshire area to deliver three days of one of the most diverse line-up instalments you are likely to see at a UK festival. Amassing genres from pop sensations to Hardcore, all the way to pop punk and grime. As the sun soaked Richfield Avenue, we were at Reading Festival 2019 and we were ready to be entertained.
