Last month, Young Culture released their newest album You Had to Be There! Full of fun and original tracks, we caught up with Alex Magnan to talk all about the music and his favourite fantasy kingdom.
Since their 2018 self-titled comeback, The Dangerous Summer have not let up. In a four-year period, new record Coming Home is their third full length. Impressive, and that’s ignoring the 2020 EP All That Is Left Of The Blue Sky.
With their new EP III releasing on November 26th, we had a chat with Ali Tabatabaee (vocals) of Zebrahead to get the lowdown on the band's new music and new chapter!
When I first heard of Real Friends I was fresh to pop punk. I liked All Time Low, As It Is, Green Day and My Chemical Romance. I found their first two albums to be too brash and bordering on unlistenable. By the time Composure dropped I’d been to Slam Dunk Festival and, though I still believe their first two records to be poor, that third album really made me fall for them. ‘Stand Steady; is still their best song.
The Spill Canvas have made a comeback into what is a very different music world, but new album Conduit sounds like they don’t give a damn.
Lonely The Brave’s new record The Hope List is a very pleasing listen, acting as my introduction to a very talented outfit at a perfect point; the band are reborn with new vocalist Jack Bennett and a new sense of drive and direction.
London based HOLYGOOD (formerly Light You Up) have their first EP coming and it promises to be good. Not only have members of the band toured with the likes of Don Broco, Pvris and State Champs but they spent 2019 touring with Busted. The EP, titled Killing Giants, came out on January 22 and consists of three tracks.
There’s no doubt Cheap Meat can write fun, catchy songs you’d expect from the likes of Weezer and Bowling For Soup. Their new record, aptly titled People Are The Worst, exemplifies this brilliantly.
With this brand new, self-titled full length, Young Culture have issued one of the most diverse and challenging records I’ve heard from the alt-rock scene in quite some time.
If a band changes their sound, it’s always called “evolving”. However, evolution is a species adapting to its surroundings and becoming better at surviving. What do we call it when a band changes and the quality has regressed?
I had the pleasure of reviewing Sleeping With Sirens latest outing How It Feels To Be Lost before it dropped last year. Now I have the pleasure of reviewing the deluxe edition, which affords me the opportunity to look at the album retrospectively.
If All Time Low’s Nothing Personal got criticism for being too pop and not punk enough, All Distortions Are Intentional should definitely get the same treatment.
In their first 5 years as a band, Creeper crafted the perfect path, releasing an EP each year for three years, touring relentlessly and then putting out their debut album Eternity In Your Arms. It felt like they were never far away from our speakers and stages and that enabled them to grow hugely in that time. Oh yeah, and the outstanding goth-punk-opera rock songs helped a bit too. Then on 1st November 2018 they played their final show of the tour and announced the end. Then there followed a year of radio silence. Anyone familiar with David Bowie would recognize this as the shedding of a skin, the entry to the cocoon, and, exactly one year after that fateful show, they reappeared with a single and shortly followed it up with the announcement of Sex, Death & The Infinite Void. Now, following a lengthy delay due to COVID-19, the release of one of the most hotly anticipated albums in recent years in upon us.
On 7th February Dutch outfit Delain release 16 track record, Apocalypse & Chill. Not only is it the name of the record but a good bit of advice too. Anyway, Delain are, Within Tempation Martijn Westerholt on keys, vocalist Charlotte Wessels, guitarist Timo Somers, bassist Otto Schimmelpenninck van der Oije and Joey Marin de Boer on drums.
